INFRAWHITE 36 presets Your account

Infrared Look and Red Filter, one drawer of filtered mono

Black sky. White leaf. One red gel.

Two mono collections in one download: the infrared inversion, foliage white and sky black, and the red-filter landscape, sky weighted and ground lifted. One tap in the free Lightroom app on iPhone and Android, or in Lightroom Classic.

For fine-art and mono landscape photographers who think in filters.

Get Infrared Look + Red Filter for $129.99 Enlarge: all 36 presets
Graded with Infrared Look + Red Filter: Canopy light, inverted. Leaves to white, the sky behind them to black. Ungraded version of the same scene
Canopy light, inverted. Leaves to white, the sky behind them to black.
Graded with Infrared Look + Red Filter: The field, red filtered Ungraded version of the same scene
The field, red filtered
Graded with Infrared Look + Red Filter: Steel against a weighted sky Ungraded version of the same scene
Steel against a weighted sky
Graded with Infrared Look + Red Filter: Rows in false tone Ungraded version of the same scene
Rows in false tone

the sheet

The Filter Drawer

Every preset from both collections on the same four frames, so the infrared inversion and the red gel can be compared side by side.

Infrared, foliage led

10 presets

Chlorophyll driven to white. Leaves glow, meadows bloom, the canopy goes to snow.

  1. Wood Effect on Foliage, past visible lightframe 01Wood Effectthe reference false-tonality look: foliage bright to near-white, blue sky near-black
    Wood Effect applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Wood Effect applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Wood Effect applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Wood Effect applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Wood Effect. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  2. Leaf Bloom on Foliage, past visible lightframe 02Leaf Bloomgreen luminance well up here with smoothing up, so leaves glow and spread
    Leaf Bloom applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Leaf Bloom applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Leaf Bloom applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Leaf Bloom applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Leaf Bloom. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  3. Chlorophyll Glow on Foliage, past visible lightframe 03Chlorophyll Glowgreen and yellow both driven hard, bright vegetation in the family
    Chlorophyll Glow applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Chlorophyll Glow applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Chlorophyll Glow applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Chlorophyll Glow applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Chlorophyll Glow. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  4. Summer Snow on Foliage, past visible lightframe 05Summer Snowa bright member overall, exposure and whites high, for full-canopy summer frames
    Summer Snow applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Summer Snow applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Summer Snow applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Summer Snow applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Summer Snow. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  5. Bright Hedge on Foliage, past visible lightframe 06Bright Hedgemid-strength infrared with texture negative, aimed at dense hedging and shrubs
    Bright Hedge applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Bright Hedge applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Bright Hedge applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Bright Hedge applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Bright Hedge. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  6. Meadow Glow on Foliage, past visible lightframe 11Meadow Glowyellow band led over green, for grass, wheat and open meadow rather than trees
    Meadow Glow applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Meadow Glow applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Meadow Glow applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Meadow Glow applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Meadow Glow. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  7. Orchard Bright on Foliage, past visible lightframe 12Orchard Brightbright foliage over a lifted midtone, so trunks and branches keep separation
    Orchard Bright applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Orchard Bright applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Orchard Bright applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Orchard Bright applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Orchard Bright. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  8. Vein Detail on Foliage, past visible lightframe 13Vein Detailclarity and texture at their highest here, so leaf structure survives the brightness
    Vein Detail applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Vein Detail applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Vein Detail applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Vein Detail applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Vein Detail. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  9. Frost Canopy on Foliage, past visible lightframe 15Frost Canopyhigh-key infrared with shadows lifted, for pale winter and early-spring canopy
    Frost Canopy applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Frost Canopy applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Frost Canopy applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Frost Canopy applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Frost Canopy. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  10. Willow Bright on Foliage, past visible lightframe 18Willow Brightaqua less suppressed than elsewhere here, so water keeps tone under bright foliage
    Willow Bright applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Willow Bright applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Willow Bright applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Willow Bright applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Willow Bright. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

Infrared, sky led

8 presets

The blue crushed to black. Deep zeniths, plate grain, the inversion held restrained or pushed to its edge.

  1. Sky Crush on Foliage, past visible lightframe 04Sky Crusha dark sky in the set, blue and purple bands at their lowest, foliage moderate
    Sky Crush applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Sky Crush applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Sky Crush applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Sky Crush applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Sky Crush. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  2. Dark Zenith on Foliage, past visible lightframe 07Dark Zenithsky-led rather than foliage-led, a heavy vignette here, for wide skies with a horizon
    Dark Zenith applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Dark Zenith applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Dark Zenith applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Dark Zenith applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Dark Zenith. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  3. Filter Seven on Foliage, past visible lightframe 08Filter Sevena deep-filter rendering: strong contrast in the family and the least softening
    Filter Seven applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Filter Seven applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Filter Seven applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Filter Seven applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Filter Seven. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  4. False Tone on Foliage, past visible lightframe 09False Tonethe most restrained infrared here, the inversion clearly visible but not extreme
    False Tone applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    False Tone applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    False Tone applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    False Tone applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is False Tone. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  5. Halation Edge on Foliage, past visible lightframe 10Halation Edgesoftest member: smoothing well up and sharpening lowest, for a glowing edge
    Halation Edge applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Halation Edge applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Halation Edge applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Halation Edge applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Halation Edge. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  6. Ink Sky on Foliage, past visible lightframe 14Ink Skydeep sky with heavier grain, for a coarse, plate-like infrared rendering
    Ink Sky applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Ink Sky applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Ink Sky applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Ink Sky applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Ink Sky. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  7. Spectrum Edge on Foliage, past visible lightframe 16Spectrum Edgethe widest band spread of the set, both the lift and the crush at their extremes
    Spectrum Edge applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Spectrum Edge applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Spectrum Edge applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Spectrum Edge applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Spectrum Edge. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  8. Heat Signal on Foliage, past visible lightframe 17Heat Signaldenser and more contrasty, exposure held back, for hard midday infrared
    Heat Signal applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Heat Signal applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Heat Signal applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Heat Signal applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Heat Signal. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

Red filter, open country

12 presets

The classic gel on mono. Sky weighted, ridge cut clean, chalk and heather and drystone wall.

  1. Filter Slot on Foliage, past visible lightframe 19Filter Slotfiltered landscape mono for mixed cloud, sky pushed down and foliage held light
    Filter Slot applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Filter Slot applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Filter Slot applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Filter Slot applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Filter Slot. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  2. Gel Holder on Foliage, past visible lightframe 20Gel Holderstrong band separation for hillside views, warm ground against a dark sky
    Gel Holder applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Gel Holder applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Gel Holder applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Gel Holder applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Gel Holder. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  3. Ridge Line on Foliage, past visible lightframe 21Ridge Linehigh-separation mono for skyline shots, ridge edges cut clean from the sky behind
    Ridge Line applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Ridge Line applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Ridge Line applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Ridge Line applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Ridge Line. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  4. Skyline Cut on Foliage, past visible lightframe 22Skyline Cutfirm mono for city skylines against open sky, brickwork light and sky heavy
    Skyline Cut applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Skyline Cut applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Skyline Cut applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Skyline Cut applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Skyline Cut. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  5. Chalk Ridge on Foliage, past visible lightframe 24Chalk Ridgea dark sky in this set, for chalk and limestone country where the ground prints near white
    Chalk Ridge applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Chalk Ridge applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Chalk Ridge applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Chalk Ridge applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Chalk Ridge. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  6. Meadow Cut on Foliage, past visible lightframe 25Meadow Cutmono for open grassland, grass separated from sky by the mixer rather than by contrast
    Meadow Cut applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Meadow Cut applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Meadow Cut applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Meadow Cut applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Meadow Cut. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  7. Field Gate on Foliage, past visible lightframe 26Field Gateworking landscape mono for farmland, crops light and distant sky suppressed
    Field Gate applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Field Gate applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Field Gate applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Field Gate applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Field Gate. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  8. Summit Haze on Foliage, past visible lightframe 27Summit Hazemono for high ground with distance haze, dehaze working with a heavy blue band
    Summit Haze applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Summit Haze applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Summit Haze applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Summit Haze applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Summit Haze. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  9. Heather Slope on Foliage, past visible lightframe 30Heather Slopemono for moorland in flower, purple ground pulled dark for shape
    Heather Slope applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Heather Slope applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Heather Slope applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Heather Slope applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Heather Slope. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  10. Lens Hood on Foliage, past visible lightframe 31Lens Hoodcontrasty mono for backlit landscape, flare-tolerant with a firm black point
    Lens Hood applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Lens Hood applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Lens Hood applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Lens Hood applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Lens Hood. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  11. Stop Ring on Foliage, past visible lightframe 32Stop Ringmono for bright midday scenes, exposure pulled with the sky filtration intact
    Stop Ring applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Stop Ring applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Stop Ring applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Stop Ring applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Stop Ring. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  12. Drystone Wall on Foliage, past visible lightframe 35Drystone Wallmono for stone in landscape, warm stone lifted clear of the ground around it
    Drystone Wall applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Drystone Wall applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Drystone Wall applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Drystone Wall applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Drystone Wall. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

Red filter, woodland and water

6 presets

Canopy raised, needles brightened, reeds pale against dark water.

  1. Foliage Lift on Foliage, past visible lightframe 23Foliage Liftleaf-bright mono for woodland in summer, canopy raised and shadow kept honest
    Foliage Lift applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Foliage Lift applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Foliage Lift applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Foliage Lift applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Foliage Lift. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  2. Valley Floor on Foliage, past visible lightframe 28Valley Floormono for shaded valleys, ground lifted while the sky above stays weighted
    Valley Floor applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Valley Floor applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Valley Floor applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Valley Floor applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Valley Floor. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  3. Pine Stand on Foliage, past visible lightframe 29Pine Standmono for conifer woodland, needles brightened where a straight mix leaves them dull
    Pine Stand applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Pine Stand applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Pine Stand applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Pine Stand applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Pine Stand. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  4. Marsh Grass on Foliage, past visible lightframe 33Marsh Grassmono for wetland and reeds, pale grass against dark water and sky
    Marsh Grass applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Marsh Grass applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Marsh Grass applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Marsh Grass applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Marsh Grass. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  5. Gorse Bank on Foliage, past visible lightframe 34Gorse Bankmono for scrub and gorse in bloom, yellow flowers printing near white
    Gorse Bank applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Gorse Bank applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Gorse Bank applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Gorse Bank applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Gorse Bank. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

  6. Canopy Light on Foliage, past visible lightframe 36Canopy Lightfiltered mono for shooting up into trees, bright leaves against a weighted sky
    Canopy Light applied to Foliage, past visible light Before: Foliage, past visible light
    Foliage, past visible light
    Canopy Light applied to The field, red filtered Before: The field, red filtered
    The field, red filtered
    Canopy Light applied to Steel against a weighted sky Before: Steel against a weighted sky
    Steel against a weighted sky
    Canopy Light applied to Rows in false tone Before: Rows in false tone
    Rows in false tone

    Drag the handle. Left is the original, right is Canopy Light. Rendered from the preset's own settings, not a Lightroom export, so the real thing carries a little more bite.

Read the chart from the long end. Infrared Look renders what a converted sensor sees past visible light: chlorophyll bright to near white, a blue sky near black, water kept dark under glowing leaves. The reference is Wood Effect. Around it the set moves in one direction at a time: the sky crushed further, the foliage lifted further, the grain coarsened to a plate, the whole thing held high key for a pale winter canopy.

Then the red gel. Red Filter is the classic landscape mono: sky pushed down, warm ground and foliage lifted, ridges cut clean from the sky behind. It runs by country, chalk and limestone, moor in flower, farmland, conifer stands, marsh and reed, drystone wall. Distance haze is cut through with the blue held heavy.

The sheet is filed in four rows: infrared led by foliage, infrared led by sky, red filter over open country, red filter in woodland and water. Colour goes in; a filtered negative comes out.

how it works

Yours in two minutes

  1. Buy the setCheckout takes a card; you get a receipt by email.
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  4. Tap a presetOne tap applies the full look. Every setting stays editable after.
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Netzah Elad Topaz, the photographer who makes these presets

the maker

Why I Make These

I am Netzah Elad Topaz. I take photographs and I build software, and the two keep leading me back to the same problem. You were there. The light was doing something you will not see again. Then the photo comes back flat, and it is not what you were looking at.

Closing that gap is the whole job. Every preset here is built from Adobe defaults by hand, with a written note for what it should do to a picture, and it is judged on real photographs before it ships. Nothing is a filter dropped on top of your work.

What I want is simple. You open a photo you almost gave up on, you tap once, and there it is: the day you remember, not the file your camera handed you. That is worth doing properly.

Netzah Elad Topaz, photographer and software builder

get it

Get Infrared Look + Red Filter

Infrared Look + Red Filter

$129.99

All 36 presets · one-time payment · instant download

Works in the free Lightroom app · keep forever

Instant download after payment. The download link is also sent to your email and stays available in your account.

questions

Asked and Answered

Do I need an infrared-converted camera?

No. Infrared Look builds the false tonality from a normal colour file by driving the green and yellow bands bright and the blue band dark. A true converted sensor records something different; this is the look, not the physics.

What is the difference between the two collections?

Red Filter keeps foliage lighter than sky, as a red gel on mono film would. Infrared Look goes further, foliage to near white and sky to near black. The first is a landscape convention; the second is an inversion.

Do these work in the free Lightroom app?

Yes. Import the .xmp files in the free Lightroom app on iPhone or Android, no subscription needed. They also work in Lightroom Classic and Lightroom on desktop.

What exactly do I get?

All 36 presets from Infrared Look + Red Filter as .xmp files in an instant ZIP download. The link also lands in your email, and the purchase stays in your account so you can re-download any time.

How do I install them?

Two minutes: unzip, then import inside Lightroom. The step-by-step guide covers iPhone, Android, and desktop.

Can I use them for client work?

Yes. The single-user license covers personal and commercial photography. The one thing you can't do is share or resell the preset files themselves.

Can I tweak a preset after applying it?

Always. A preset is a starting point; every slider stays yours to adjust.

What if it's not for me?

Before your first download we refund, no questions asked. After a download, sales are final except a technical fault we cannot fix or a duplicate charge. Details on the refunds page.